 |
| Judith Slaying Holofernes - Artemisia Gentileschi |
I got an interesting assignment in my art class last semester. I had to go to a few local art museums and find a piece I appreciated and build my own "exhibit" around it based on a unifying theme. The themes could not be an artist (Dali), artistic era (Baroque) or region/country (Italian art). I had to find pieces of art during the periods we studied and virtually borrow them for our fantasy exhibit.
I went to the San Francisco Museum of Modern Art and saw a photo of Andy Warhol's gunshot wound scars taken by Richard Avedon. After learning about the circumstances behind the shooting, I found my theme, women who seek vengeance.
I decided the women could be real, fictional, or mythical and be represented in paintings, sculpture, film, or any other artistic medium. The artists could be men or women. I found it interesting though how male and female artists depict their avenging ladies. Artemisia Gentileschi's three paintings of the biblical Judith story as she beheads Holofernes has passion and conviction in the justice of the moment. Artemisia was one of the few successful Italian Baroque woman painters. She was raped and treated poorly afterward (belittled, tortured, and commoditized) early in her adulthood. Did that influence the anger and disdain you see in Judith's face? Please compare it to the painting of the same story by Caravaggio.
Now, on to the show.
She Wants Revenge
a fictional exhibit
She Wants Revenge
This exhibit shares with the viewer the theme of women seeking violent revenge or punishment on those who wronged them. The reasons for the revenge could be stolen loves, betrayal of trust, political differences, or rejection.
While all of the works have one or more avenging women, most of the pieces were created by men. You are encouraged to look at each piece and consider the story, the characters and the artists and performers to compare how feminine vengeance has been portrayed for the past 500 years.
This exhibit shares with the viewer the theme of women seeking violent revenge or punishment on those who wronged them. The reasons for the revenge could be stolen loves, betrayal of trust, political differences, or rejection.
While all of the works have one or more avenging women, most of the pieces were created by men. You are encouraged to look at each piece and consider the story, the characters and the artists and performers to compare how feminine vengeance has been portrayed for the past 500 years.
1. Judith Slaying Holofernes 1614 - 1620, 2. Judith and Her Maidservant with the Head of Holofernes 1625 3. Judith and her Maidservant 1613-1614Artist: Artemisia Gentileschi
Media: Oil on Canvas Painting
Movement: Italian Baroque
Location: 1. Museo Nazionale di Capodimonte, Napoli Italy, 2. Palazzo Pitti, Florence 3. The Detroit Institute of the Arts.
Images Sources: Wikipedia
 |
| Judith beheading Holofernes - Caravaggio |
Medusa’s Head on Athena’s Shield - 1595-1596
Artist: Caravaggio
Media: Oil Painting
Location: Florence
Movement: Italian Baroque
Image Source: wikipedia
Notes: Medusa was born and grew into a ravishingly beautiful woman. She was a priestess in Athena’s temple. She and Poseidon, “God of the Sea”, slept together in Athena's temple. Athena became angry and changed Medusa's beautiful hair into snakes and her face so horrid that her onlookers would turn to stone. After Persues beheaded Medusa, and he put her head on Athena’s shield as a weapon.
1. The Sons of Niobe Being Slain by Apollo and Diana 1660 -1670, 2. Death of Niobe's Children 1591 3. Les Enfants de Niobe tués par Apollon et Diane - 1770Artist: 1. Jan de Bisschop, 2. Abraham Bloemaert, 3. Anicet Charles Gabriel Lemonnier
Media: 1. Brown wash over black chalk, 2. Oil on Canvas 3, Huile sur papier
Movement: 1. Dutch Baroque, 2. Dutch Baroque (Northern Mannernisms), 3. Romantic
Location: 1. The J. Paul Getty Museum , Los Angeles, 2. Statens Museum of Kunst, Copenhagen 3.Musée des Beaux-Arts de Rouen, Rouen.
Images Sources: 1. The J. Paul Getty Museum , 2. PD Art 3. PD Art
Notes: As punishment to Niobe, queen of Thebes, for being arrogant, Greek deities Diana and Apollo killed her seven sons and seven daughters from above with bows and arrows.
Maria la Chiquita (Maria the Little One) - 1897
Artist: Jose Guadalupe Posada
Media: Engraving on metal
Location: Posada 36 Grabados, Mexico City
Movement: Mexican Modernist
Image Source: http://www.artoftheprint.com/artistpages/posada_jose_guadalupe_maria.htm
Notes: Maria Villa (prostitute name - La Chiquita) was a high class prostitute in Mexico City. On her days off, she went out with her steady boyfriend Francisco. He starts seeing another prostitute, Esperanza Gutierrez (prostitue name La Malagueña). La Chiquita saw them at a restaurant. In her anger she felt La Malagueña had insulted her honor. In revenge, she went to La Malagueña’s apartment, words were exchanged and La Chiquita shot her. As a twist, she used Francisco’s pistol, which he entrusted to her for safe keeping while he went out drinking and to keep him out of trouble. In her trial she acknowledged the murder as a defense of her honor. In this engraving, she is standing as if in a duel. She received 20 years in prison since women were not sentenced to death in Mexico.
Chicago "He had it coming"- 2002Director: Robert Marshall
Media: Movie
Location/Image Source: Miramax Films
Genre: Musical/Noir
Andy Warhol - 1969
Photograph by Richard Avedon
Movement: Documentary/Post Modern
Location: Surveillance Exhibit - SF MoMA - Spring 2011
Notes: Andy Warhol touching the scar on his belly where Valerie Solanis shot him after he rejected her manuscript.
Kill Bill 2 - 2004 (Opening scene, Beatrix and Superman, Bill’s Death)Director: Quentin Tarantino
Media: Movie
Location/Image Sources: A Band Apart Films
Genre: Exploitation, homage
