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Fae DeCay - 012413 |
I watched the documentary,
Thinking XXX. It chronicles the making of a photo series by Timothy Greenfield-Sanders where he takes two portraits of porn stars (male, female, gay and straight porn), one clothed, one nude. Much of the movie has the stars talking about the industry. It also has rich commentary and analysis by John Waters and Gore Vidal. In it, Gore Vidal shared this great thought on porn and the human condition.
We never seem to tire at looking at naked bodies. That is true, but they always have to be new ones. Gore Vidal from the movie Thinking XXX.
This quote has two great features, the hook and then the yank of the hook. In the hook or the first part, he describes how we endlessly enjoy viewing the nude. I enjoy looking at the nude form. I prefer female nudes, but appreciate male nudes as well. For centuries, artists, and many creators lacking artistic intent, captured the nude form through paintings, sculptures, photography, writing, etc. We can't help but look when confronted. For me, I enjoy seeing not only the nude form, but how the artist captured it.
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Ludovica Albertoni Cetera - Bernini - my photo 012413 |
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Ludovica Albertoni Cetera - Bernini - my photo 012413 |
The master sculptors Bernini and Rodin both captured nudes, but in different ways. The almost-photo realism of the Bernini's art makes me want to touch it and feel the real moment captured.
I want to feel St. Teresa's ecstasy. I can almost feel the passion, fear, and arousal in his masterpiece,
"The Rape of Prosperpina" where you can see how his hands are pressing into the flesh of her thigh. As for Rodin, he is not so much a realist as much as sharing the raw emotions and behaviors of the moment. Whether it is the elegant simpleness of
"The Kiss" or the sultry passion of the
"Lovers, 1911" or the torn and conflicted pain of
"The Tragic Muse" (one of my favorites), I am feeling what is being represented in the work. I not only want to, desire to, and seek these nudes out, I must see them. I am drawn to them at both the primal animal self and the intellectual appreciative self as well.
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The Tragic Muse - Rodin - Photographer unknown |
This desire leads to the second part, the yank and setting of the hook in Vidal's quote about always needing to see new ones. Even though I have personal favorites of nude imagery, sculpture, erotica, porn, etc., I will always want to see new ones - new faces, bodies, stories, and themes. It is lust, need, and appreciation that I need to look at them and want more.
This desire for change, variety, and novel experiences applies to my art as well. Once I create and refine an image, or set of images, from a photo shoot with a model, I start getting inspired for the next shoot. If it is with the same model, I focus on where can we go deeper and change it up. If it is a new model, what new things will she bring that I haven't seen or created before. Regardless, I tend to then lose some interest in the work I created and completed and desire the next one, and then the next one.
Am I shallow for continually wanting and not being satisfied with how I create and consume the nude form? On one hand, this insatiable desire sometimes leads me to feeling it is more of an obsession or thirst that can never be quenched. On the other hand, if this desire ever stopped or was denied to me, would I become less of who I am?